‘We’re barely above porn’: why would a film-maker choose to make a deliberately bad ‘mockbuster’?
Why This Matters
Key context: <p>With a tiny budget and six days, Anthony Frith directed a film for the studio behind Sharknado – and then made Mockbuster, a documentary about the experience</p><p>Directors don’t tend to appreciate having their films eviscerated by critics. And us critics, well practised in lobbing proverbial grenades from the safety of our pretentiously book-lined, Cahiers du Cinéma-strewn offices, don’t tend to look an artist in the eyes and tell them that their work sucks.</p><p>This is, however, exactly what I do to the Australian film-maker Anthony Frith. I’ve even prepared a zinger for the occasion. “Your film is a lemon that’s been eaten by a turkey then dumped into a vat of curdled mayonnaise,” I say.</p> <a href="https://www.theguardian.com/film/2026/aug/22/anthony-frith-documentary-mockbuster-the-land-that-time-forgot">Continue reading...</a> This development from The Guardian highlights ongoing changes in the sector.
With a tiny budget and six days, Anthony Frith directed a film for the studio behind Sharknado – and then made Mockbuster, a documentary about the experienceDirectors don’t tend to appreciate having their films eviscerated by critics. And us critics, well practised in lobbing proverbial grenades from the safety of our pretentiously book-lined, Cahiers du Cinéma-strewn offices, don’t tend to look an artist in the eyes and tell them that their work sucks.This is, however, exactly what I do to the Australian film-maker Anthony Frith. I’ve even prepared a zinger for the occasion. “Your film is a lemon that’s been eaten by a turkey then dumped into a vat of curdled mayonnaise,” I say. Continue reading...
Curation & Context
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