Curated News Summary

Mike D: ‘After Yauch died I couldn’t make music. I’d open a computer file and just feel sadness’

Source: The Guardian Published Fri, 21 Aug 2026 12:00:34 GMT
Mike D: ‘After Yauch died I couldn’t make music. I’d open a computer file and just feel sadness’

Why This Matters

Key context: <p>As part of the Beastie Boys, the rapper shot to fame and notoriety in the 80s, before bandmate Adam Yauch’s death saw him withdraw from the spotlight. He returns with a solo album that sees him reckon with greed, mortality – and his past</p><p>‘It’s funny how far a joke will get you,” Michael Diamond grins. This time 40 years ago, the New York rapper known as&nbsp;Mike D was working with schoolfriends Adam “MCA” Yauch and Adam “Ad-Rock” Horovitz on Licensed to Ill, their 1986 debut album as the Beastie Boys.</p><p>The “joke” in question is that record’s cartoonish send-up of frat-bro culture, set to fusions of hard rock riffs&nbsp;and hip-hop beats. As for how far&nbsp;it got them: destinations included global stardom, a page in the history books with rap’s first US chart-topping album, and the crosshairs of British tabloids as they roused a generation to&nbsp;“fight for your right to party”.</p> <a href="https://www.theguardian.com/music/2026/aug/21/mike-d-diamond-beastie-buys-inteview-solo-album-thank-you">Continue reading...</a> This development from The Guardian highlights ongoing changes in the sector.

As part of the Beastie Boys, the rapper shot to fame and notoriety in the 80s, before bandmate Adam Yauch’s death saw him withdraw from the spotlight. He returns with a solo album that sees him reckon with greed, mortality – and his past‘It’s funny how far a joke will get you,” Michael Diamond grins. This time 40 years ago, the New York rapper known as Mike D was working with schoolfriends Adam “MCA” Yauch and Adam “Ad-Rock” Horovitz on Licensed to Ill, their 1986 debut album as the Beastie Boys.The “joke” in question is that record’s cartoonish send-up of frat-bro culture, set to fusions of hard rock riffs and hip-hop beats. As for how far it got them: destinations included global stardom, a page in the history books with rap’s first US chart-topping album, and the crosshairs of British tabloids as they roused a generation to “fight for your right to party”. Continue reading...

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