A Ugandan quarry worker carrying rocks on her head: Dan Nelken’s best photograph
Why This Matters
Key context: <p>‘Janet had eight children. Her husband drove a boda-boda taxi, but had lost a leg – so she had been working in her local quarry for 10 years. “I am now the husband in this home,” she said’</p><p>In 2017, my wife, Adele Brown, was invited to spend three weeks at an NGO in Gulu, Uganda, teaching critical thinking skills to blind high school-age students. I was asked along to document the organisation’s activities. I became fascinated by the town’s main market, where vendors sold goods such as used clothes, fruit and firewood. I asked the Ugandan teachers how I might approach someone to take their portrait. They suggested I offer a modest “model fee” after seeking permission.</p><p>One of the students – Emmanuel (Emma) – wanted to assist me. We would visit the market together. When I saw a vendor I wanted to photograph, Emma would approach and seek their consent. Most agreed, but after returning home to New York, I looked at the results and was disappointed. As with other well-intentioned projects, I thought that was the end of it.</p> <a href="https://www.theguardian.com/artanddesign/2026/aug/26/ugandan-quarry-worker-rocks-head-dan-nelken-photograph">Continue reading...</a> This development from The Guardian highlights ongoing changes in the sector.
‘Janet had eight children. Her husband drove a boda-boda taxi, but had lost a leg – so she had been working in her local quarry for 10 years. “I am now the husband in this home,” she said’In 2017, my wife, Adele Brown, was invited to spend three weeks at an NGO in Gulu, Uganda, teaching critical thinking skills to blind high school-age students. I was asked along to document the organisation’s activities. I became fascinated by the town’s main market, where vendors sold goods such as used clothes, fruit and firewood. I asked the Ugandan teachers how I might approach someone to take their portrait. They suggested I offer a modest “model fee” after seeking permission.One of the students – Emmanuel (Emma) – wanted to assist me. We would visit the market together. When I saw a vendor I wanted to photograph, Emma would approach and seek their consent. Most agreed, but after returning home to New York, I looked at the results and was disappointed. As with other well-intentioned projects, I thought that was the end of it. Continue reading...
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